书籍 Contemporary Chinese Art的封面

Contemporary Chinese Art

Wu Hung

出版时间

2014-10-14

ISBN

9780500239209

评分

★★★★★
书籍介绍

The first and only comprehensive survey of contemporary Chinese art, one of the most vital and expanding sectors of the global art world today

From its underground genesis during the Cultural Revolution (1966–76), contemporary Chinese art has become a dynamic and hugely influential force in a globalized art world. In this first major introduction to the topic, Wu Hung provides an accessible, focused, and much-needed narrative of the development of Chinese art across all media from the 1970s to the 2000s, a time span characterized by radical social, political, and economic change in China. The book is a richly illustrated and easy-to-navigate chronological survey that considers contemporary Chinese art both in the context of China’s history and in a global arena. Wu Hung explores the emergence of contemporary art—as opposed to officially sanctioned art—in the public sphere after the Cultural Revolution; the mobilization by young artists and critics of a nationwide avant-garde movement in the mid-1980s; the re-emphasis on individual creativity in the late 1980s and the heightened spirit of experimentation of the 1990s; and the more recent identification of Chinese artists, such as Ai Weiwei, as global citizens who create works for an international audience.

425 illustrations, 353 in color

用户评论
霸占半学期
收纳了很多东西; 观点貌似很新颖,但还是不够有说服力。可能全面和深刻总不能兼得的。
好详细的讲述,看这本之前看了其他一些当代艺术的文章,讲到当代艺术传入中国初期时总是留有一些余地,用词模糊,这本就很明确,很有条理。
和女友在图书馆迅速过完图片,得闲看下内容,当作教材。
第一本关于中国现当代艺术的严肃艺术史(教科书),看似编年但依然是巫鸿擅长的thematic论述,然而视野局限,文献缺乏梳理和考证,很多作品有名无图,中文名的typo甚多,粗糙感像赶制的行货
巫鸿的《当代中国艺术》快看完了,当代史最难写,比起其他史家纠缠于名份排位是非,巫鸿是亲历旁观走过抽离宽容的视角,除了点了一下八十年代各种群体在1987年忽然归于沉寂,一半环境使然,一半被内部分歧消解。没有什么苛责。此书以时间为经,潮流为纬,语境、因果、叙事、群体、个人、主义、概念的比例都尺度很好,没有外部人写来的“隔”,也没有内部人写来的“看不穿”,开始几章我还略怀念其“纪念碑”“重屏”等书的锋利厚重精微,越看越为其把控力叹服,也堪称中国当代艺术的史记了。
占了几个月,但也没细看。